Wednesday, October 21, 2009
Red Pottage, 25/81
This 1899 novel, the story of friends Rachel West and Hester Gresley, provides biting satire of the gender and class conventions that governed late-Victorian England. Set against a trio of painful love stories, Rachel and Hester learn the inconveniences and heartbreak of love. Rachel loves an adulterer, and Hester, a writer, loves her new book, whose manuscript consumes all of her time and energy. These pursuits are set against particular Victorian settings: Hester in the vicarage home of her self-satisfied, traditional, high-church brother, and Rachel in the stately homes of rural Middleshire's minor gentry. Both friends feel acutely the emotional and physical restrictions of their situation. None are able to understand Rachel and Hester's friendship, a deep, emotional attachment formed outside the boundaries of heterosexual marriage. Guiding the plot is what is perhaps one of the most ridiculous displays of masculine bravado: a suicide pact between the two lovers of Lady Newhaven. Cholmondeley is biting in her criticism of Victorian society. Somewhat different from other Victorian satirists, she relies upon plot rather than explanation. Cholmondeley doesn't tell us why we should see absurdity in a particular situation; she relies on plot to do that. Written at the very end of the Victorian era, we start to see the seeds of change in gender relations. The very biting quality of Cholmondeley's novel suggests coming change.
Mary Cholmondeley, Red Pottage, (Penguin, 1986) ISBN: 1406845612
Category: Virago Modern Classics 5/9, 25/81